"Deadite Joe™ : Interview"

NOTE:
{The following interview was an unused article from the now defunct fanzine 'Genre Film E-zine'.}

{It was scheduled to appear in the 'Personality' Section of the online version of issue 138.}

{The date of the interview, conducted via phone, was 11-04-2014}

Marcus: "Thank you for you time, uh...what should I call you? Deadite Joe, Deadite or Joe?"

Joe: "Heh heh! Joe is fine! You're welcome. It's not like I'm busy or anything."

M: "(chuckling) Is this a bad time?"

J: "No, no...I'm being sarcastic."

M: "I've heard about your sarcasm - it almost legendary! (Laughs)"

J: "Really? I'm just being me. It's not an act although it has become part of the (Deadite Joe) persona now."

M: "The name, Deadite Joe, most horror fans recognize it as a homage to the 'Evil Dead' film franchise. Tell me a little bit about it."

J: "That's right. I'm a fan of the 'Evil Dead', so it was a no-brainer for me! Plus, the name was available on most social media sites!"

M: "I'm sure that helped with continuity & creating a base as well."

J: "Oh yeah, definitely. That's something I kind of fell into. I'm no expert in online marketing or crap like that. I just wanted to write about the things I like."

M: "How did you get into fandom?"

J: "Growing up in the 70's & 80's was the biggest thing. At 5, I was already a fan of Star Trek, Space:1999, Lost in Space, Time Tunnel, Voyage to the Bottom of the Sea, Land of the Giants, Battlestar Galactica...all the original stuff. My sister snuck me into the local theater to see my first horror film at age 9 - " Phantasm ". I sat through the entire film peeking through my fingers! That experience, even though it scared the crap outta me, also sparked an interest in the horror genre."

M: "That's a cornerstone horror film. To have seen it in its original theatrical as well. Any others?"

J: "Oh man, I saw Basket Case, Evil Dead 2, Friday the 13th, The Thing, Nightmare on Elm Street - all of the cult classics at the theater when they came out. I had no idea until years later that I was part of a relatively small number of people to have seen these on the big screen. Especially, Evil Dead 2 & Basket Case. "

M: "Wow! I'm 24 - I've had to see those genre films on DVD. I would have loved to see them as originally intended."

J: "DVD? Shit, I remember having to rent VHS to check out horror films! Before VHS came out, we had Fangoria magazines to keep us up to date. That is, if you could find them! Fangoria was real controversial when they first came out...well, here in rural Georgia anyway. Too violent, they said. Hell, it was about special effects to my young mind back then."

M: "Fangoria was & still is the horror periodical. It was the inspiration for us to start this E-zine."

J: "Agreed. It was an integral part of my youth & my interest in horror. I still have stacks of them! I even have some of the original run prints of Gore Zone Magazine they put out for a while."

M: "What are some of your favorite horror films?"

J: "Well...Re-Animator, Evil Dead 2, The Thing, Romero's films...OK, you talking 80's or...?"

M: "Not necessarily, just favorites in general."

J: "Alright, uh, man - uh, Bubba Ho-Tep, The Dead Hate The Living, Army of Darkness, Zombie, The Beyond, Deadly Spawn, Event Horizon, World War Z, I am Legend, Dead Snow...there's really too many to rattle off, man."

M: "Is there an underrated genre film that you like that you believe deserves better?"

J: "Sure. I think the Ford brothers two Zombie flicks are damn good. The Dead & The Dead 2:India are really good films. Then there's I Sell The Dead - which is well done & funny. Sinister was good too. The Devils Backbone...Let Me In...Monsters...Hellboy..."

M: "Are there any that you feel don't deserve popular genre status?"

J: "You're trying to get my ass in trouble with that one! (Laughs) But...yeah, there's a few that I think suck that seem to keep getting play, man."

M: "What would be an example of that?"

J: "1408 sucked, OK? Warm Bodies sucked. Paranormal Activity franchise, the Saw franchise, Insidious - way overrated. There's just as many big budget horror films that suck as there are big budget good ones."

M: "Paranormal Activity? That series has been a pretty consistently well received staple in the horror fandom."

J: "Look, found footage films are intriguing when they're done right. Look at the Rec series, those were done well, but Paranormal Activity just didn't break any ground with me. Just a bunch of frickin' jump scares for the teeny bopper crowd, that's all."

M: "What would be an example of a good found footage film - in your opinion?"

J: "Cannibal Holocaust is the big one. Gotta have a steel stomach to make it through that one though. Recent ones? Chernobyl Diaries was great, Rec was incredible. The Last Exorcism."

M: "OK, if you had to choose one, what's the worst horror film you've ever seen?"

J: "Every film ever directed by Uwe Boll. Really. I'm frickin' serious. How in the hell does he keep getting the money to make this shit? Ever seen his 'Zombie Nation'?"

M: "(chuckles) Yes, I have."

J: " Then you know that it's an incoherent mess. The title is a cash grab, man, come on - there's three zombies in it! That's a nation? Jeez, and he's an asshole of a guy, too. You need to go interview him! Ask him why isn't he mopping the floors at an Arbys 'cause he sure as hell can't make a damn movie."

M: "(laughing) Looks like I hit the jackpot with my last question!"

J: "I guess you did! That's one guy I can't seem to like. His films are shit, so you'd figure he'd have a little humility, but hell no! He has the audacity to blame the fans! He cusses them out!"

M: "He's definitely caused a stir & his movies have been universally panned."

J: "Panned? That's the word you're gonna go with in describing Uwe Boll's movies? (Laughs) Shit..."

M: "Let's, uh, let's move on to something else. What's a movie that you'd like to see made?"

J: "Great question. Hands down: Guillermo Del Toros version of H.P. Lovecraft's 'At the Mountains of Madness'! That's the one."

M: "You're a fan of Lovecraft, I understand."

J: "Absolutely! I think he was one of the greatest weird fiction writers in history. His style, his creations, it's something on a whole different scale."

M: "How did you become familiar with Lovecraft's work?"

J: "As a kid I saw an episode of Rod Serlings 'Night Gallery' called 'Pickman's Model', which was a Lovecraft story. It was a cool story. The next trip to the library I checked out all they had by Lovecraft. What cemented it was in 1985 when Stuart Gordon's 'Re-Animator' came out. Blew me away! That also introduced me to Gordon's work & I've been a fan of his ever since then too."

M: "Many consider 'Re-Animator' as the catalyst in the resurgence of interest in Lovecraft's work."

J: "I agree with that wholeheartedly! I think that film is one of the best adaptations of Lovecraft's work, with the exception of 'The Call of Cthulhu' movie by the H.P. Lovecraft Historical Society."

M: "Who is your favorite director?"

J: "I really like Sam Raimi, but I love George Romero as well! Again, Stuart Gordon deserves a top slot."

M: "Let's talk zombies..."

J: "Hell yeah!"

M: "How & when did you become a fan of zombies?"

J: "Way back! Long before it became mainstream, man. I remember watching 'Night of the Living Dead' on late night TV in the 70's. That's when I was hooked. After that, when VHS rentals came out - I watched the Italian stuff, Fulci, Argento...between VHS & the movie theaters, I got my fill!"

M: "You have a favorite?"

J: "Romero's 'Day of the Dead' is right up there at the top."

M: "In your opinion, what's the greatest Zombie film ever made?"

J: "That's easy - it hasn't been made yet."

M: "(chuckling) What do you mean?"

J: "I think there's room...um, you know, I think the greatest Zombie film has yet to be conceived. By saying this film or that film is the greatest, that says that nothing better can come after it. I say that the greatest has yet to come."

M: "Oh, OK, I understand. What are your thoughts on 'The Walking Dead'?"

J: "I like the comics and the show. I think the TV series is very good, but it doesn't add to the genre really. I've got a love/hate relationship with it."

M: "Can you elaborate a little on that?"

J: "Well, like I said, it's a good show but I don't think it's as good as a lot of its fans think it is. (Robert) Kirkman said in an interview once that he wanted to make a Romero movie that never ends. The zombies are Romero-type zombies. The stories are a soap opera. It's that simple. The show is a soap opera with zombies...there's no allegorical meanings or deeply written messages in the stories. It's comas, being shot, cheating wives, pregnancy, young lovers, good men losing their way, bad guys with eye patches...its a soap opera. Has it added to the Zombie genre? No. It hasn't added anything new to the Mythos itself."

M: "It does have a massive following...large number of fans."

J: "So does Kim Jong Un. That doesn't mean he's great."

END PART ONE

"Falling Down" (Experimental Short)

I am running.

The dark woods.

The darkness makes it difficult to find my way back home.

I can hear them near me. A simple arms length away.

I feel their bony claws lightly brush against my shoulders as I run.

The dim moonlight fades in and out of the trees. The trees, gnarled & ancient, care not.

The trees have stopped their growth and stand in an impotent vigil of the narrow path.

There are things among the sentinels who shamble without aim.

Devoid of life, they want what is ours.

The things are innumerable in the dark, slow are they - mindless - but they never tire.

I pace my run. I out-think them.

I know I'm alive. I know I am. Alive.

That most ancient of games I play.

I become complacent in avoidance of their unstoppable determination.

Make use of the dim light. Watch for their hands & arms jutting from the blackness.

The ancient roots of the eternal judges line the narrow path.

Then I fell...

"Outside" (An Experimental Short)

As night falls, they exit from their hiding places.

The light is unclean to them. Their corrupted minds know not why.

By their smell I know them. Dank and rotten - the smell of the grave.

Preceding their approach, the stench is unmistakable.

I watch as they move in the dark, slow and laborious.

Hundreds gather, then thousands.

A slow motion tidal wave of death.

I dare not move. I make no sounds.

This has been my life behind the shuttered windows. Normal now.

I watch as they move closer. A steady, crawling chaos of flesh.

Scratching & weakly clawing at the wood - they only know that they want.

I watch as one presses close to the door. Our eyes separated by a fraction through a distorted lens.

I see only hollowness there. No spark. Only emptiness.

I close my eyes and await the daylight.

Again.

America: Apocalypse Now (Sorta)

Is it possible to wish something into existence? Could 300 million or 6 billion people thinking the end is coming, by pure collective thought, bring about the end?

I've often wondered about the old sayings "If you look hard enough, you'll find what you're looking for."; " If you want something bad enough, you'll find a way to make it happen. "; etc.

Is there something to the theory that if, on a collective consciousness level, humans can actually cause events to occur? Perhaps, by thinking about a scenario simply heightens our awareness of it & we begin to recognize that scenario more.

As we watch current events & see all of the negativity, violence & horror being pumped directly into our craniums by sources unknown - could this shape the perception of an entire populace?

Of course it does!

However, can it influence the collective consciousness into bringing into existence an alluded to or hypothetical future event?

I believe it is within the realm of possibility.

Think about that. If by influencing the minds of the populace could call up any event into reality  - why not a better future? Why is it that the thoughts & discussions are almost always leaning towards the end of all things? Why is it so fascinating to imagine apocalyptic future scenarios?

Those images are smoking hot nowadays. TV, movies, books, civil unrest, social unrest, war, political unrest, gun control, racial tensions..it all seems tied together somehow. What is the common denominator in all of it?

It's people. People are the problem.

People form the collective consciousness from which both control & creation of future events spring forth.

So, the real question here now would be: "Who are the people who control the images that are planted into the minds of the populace that could create (or at the least influence) future events?"

Is this phenomena an intentional one or is it one that has formed on it's own? Either way, does that mean people really want the worst to happen?

Hell if I know. I just think of crazy shit like this & write it out.

Deadite Joe's Chat of the Week # 1

Each week, I'll enter a chat room & find an unsuspecting victim to mess with. Here's what I did on 2/9/2015.

Good_morning123: hello how are u doing,, do u care to chat?

Me: I'm 87 years old, my eye sight is bad & I have a goiter on my nuts. You think I want to chat about that?

Me: I think my kidneys fell out last night, but I'm scared to look.

Good_morning123: ok

Good_morning123: what are u looking for?

Me: My kidneys!

Good_morning123: what do u mean?

Me: I mean you should look for my kidneys, dummy! If I bend over, I herniate a disk!

Good_morning123: oh ok

Good_morning123: where do u leave?

Me: I live in a nursing home because my shit-for-brains daughter hates me. But I have free wi-fi!

Good_morning123: oh ok

Good_morning123: do u work?

Me: Yeah, I work at getting onto the bed pan before I shit myself.

Good_morning123: ok

Good_morning123: what work?

Me: I used to sell fish at the pier as a young boy before WW2.

Me: Since I moved into the nursing home, I work at trying to stay on the planet just one more day.

Good_morning123: ok

Good_morning123: am in ghana

Me: The lads used to call me "Fishfingers". Do they call you that now?

Good_morning123: do u care about distance?

Me: I have dia-ghana in my sack.

Me: Yes, I car about distance! It's a helluva long way to the bathroom!

Good_morning123: what do u mean?

Me: I fought during the war in Ghana.

Good_morning123: really

Me: It was 1946. I was young & she was cheap.

Good_morning123: am also looking for caring and honest man to spend the rest of my life with him for now and forever

Me: At 87, I can certainly guarantee that I can spend my entire life with you.

Good_morning123: ok

Me: Hang on a minute, the nurse is here to apply that salve to my sack. She's mean & slaps them around when she does it.

Good_morning123: ok

Me: Hey, I gotta go. Nurse Rachett here insists that I get off line now. Goodbye. I hope I wasn't your grand dad.

"The Walking Dead" Season 5- Episode 504 "Slabtown"

"The Walking Dead" Season 5- Episode 504

 "Slabtown"

Beth, meet Officer Lerner...

Dawn Lerner, meet Beth Greene.

Noah, a survivor from Virginia.

THOUGHTS

Okay, I'm going to get right to the point here: I really didn't care for this episode too much. It wasn't the acting, as always the cast deliver a pretty great performance. This episode slowed the momentum as set by the first three episodes to a crawl. No, scratch that, it didn't slow it down...it slammed on the brakes with both feet to the floor board squealing tires to a complete and utter uninteresting stop.

We wait all this time to find out what happened to the ever-singing, sometimes suicidal, usually crying Beth Greene and this is what we get? Really? At best, this episode was foreshadowing other, more interesting developments. It felt almost like an afterthought.

 "Oh, yeah, let's show what happened to Beth! Anybody got any ideas?"

Matthew Negrete (widely known as former writer for powerhouses such as "Timon & Pumbaa", "The Penguins of Madagascar" & "Power Rangers RPM") and Channing Powell (known for such contributions as...well, just "White Collar".) raised their hands in the back of the writer's room.

I think this episode, as a vehicle for character Beth Greene, was lacking. I know, I know, I hear you all screaming "Not every episode can be an action episode!!"...

Why not? The most popular episodes of the series to date have been "run & gun" mixed with just enough character development to move the characters forward and the least favorite episodes have been the pure "soap opera with zombies". So tell me again how writing a "bridge" between two thoughts makes for a great episode of "The Walking Dead"?

It doesn't. The episode doesn't fit right with the rest of the established narrative for Season 5. It just doesn't work. The new characters are simple, one-dimensional and needlessly stereotypical "bad cops". There were no surprises or revelations. Really, when Carol was brought in on a stretcher, you were surprised? Put two and two together: Daryl & Carol were last seen beginning to chase a car similar to the one that took Beth. 

Her wounds look like a car crash to me, so there's probably a chase somewhere in our future. 

Well, there you have it. After all of the speculations, assumptions and general "pull-an-idea-out-of-your-ass" thoughts, we have our answer to that burning question: "What happened to Beth?!"

I bet you're glad you asked, aren't you? What is seen cannot be unseen, my friends and I wasted an hour of my life wanting the blinking advertisement to appear stating that "as a DirectTV customer, you're in danger of losing 'The Walking Dead'"! 

I honest to God thought she was going to sing again.

"The Walking Dead" Season 5 -501 "No Sanctuary"

"The Walking Dead" Season 5 -Episode 1 "No Sanctuary"

Walkers are starting to show their age!

Human abattoir.

Rick tells Gareth how he really feels.

"No Sanctuary"

Now that's a season premiere! I was very impressed with the entire episode. I believe that it is one of the top two episodes of the entire series at this point in time. It seemed to have a right balance of characterizations / story development & action than ever before.

I was glad to see Carol brought to the forefront as a tough, smart woman. That's a real turnaround since the early episodes! I think she might have the most actual character development than any of the others, with the exception of Rick.

This episode was as much about her as it was the fate of the main crew at the hands of the Terminus BBQ Bunch. 

I'm not going into the story blow by blow as I think most anyone that reads my silly blog has already seen it at least once! There are a few things that stand out though that I think are worthy of mention:

• Why didn't Tyreese let Carol go back into the shack to see if he had actually killed the Termite spotter that threatened to kill Judith? I don't think he killed him.
• Since it doesn't graphically show Gareth's death, I don't think he's dead.
• After Eugene Porter tells the others "his secret", why in the hell didn't someone say "Bullshit"! I mean, c'mon! The crew isn't stupid & they didn't even question Porter's "explanation" regarding his participation in the human genome project? 
• Damn, was that zombie Andrea that Carol killed on the railroad tracks? That handcuff is stuck in my brain! Clothes look right, shot must've missed the brain. As my sister said, "Damn, Michonne, you had one job and look!"

Here's the reality of it: 

www.genome.gov/10001772 


Besides, I'm sure the characters have questions in their minds that they'd pondered regarding the how & why of the undead phenomenon. Surely one of them has the right questions to ask him.

Here's my take on it:

http://deaditejoe.blogspot.com/2013/05/zombie-eschatology-101-my-version.html

That's just me, folks, I'd have to question that especially if the whole group has decided to risk their lives to get him to Washington! I'd have to question the hell outta him before I'd do it. 

I am very glad that Morgan was shown in the "Marvel-esque" post end credits sequence! He looks like he's confident and has pulled himself together. He's one of the more interesting characters in the show and he's only been in two episodes! That says a lot.

If the rest of this season follows the pattern set by the premiere, I'm quite sure that this will be the best season of The Walking Dead yet!

-Nash